Andrew Barton Patterson ; a poet. canvasser. journalist. war letter writer and soldier. was born at Narrambla near orange on the 17th of February 1864. Patterson was the eldest of seven kids. under the counsel of his male parent who shared his ain namesake and his female parent Rose Isabella. When Andrew Patterson was seven. his household moved to illalong. it is in this country that Patterson developed his womb-to-tomb enthusiasm for Equus caballuss and horsemanship. and in the hereafter. the authorship of his celebrated equestrian laies. From the age of 10 after reassigning from a bush school at Binalong. Patterson attended the Sydney grammar school. where he achieved the junior Knox award at the age of 16. Patterson failed the University of Sydney’s scholarship test and as a consequence he was admitted as a canvasser in 1886 and formed a legal partnership with John Street for 10 old ages up until 1889. Due to his grandmas influence Patterson began printing poetries in the Bulletin under the assumed name ‘the banjo’ .

By 1895 such laies as ‘Clancy of the Overflow’ . ‘The Geebung Polo Club’ . ‘ The Man from Ironbark’ . and ’ How the Favourite Beat Us and Saltbush Bill’ were so popular with readers that Angus & A ; Robertson published the aggregation. The Man from Snowy River. and Other Verses. in October. In 1895 at the age of 31 Andrew Barton besides composed his now celebrated lay ‘Waltzing Matilda’ that would go one of Australia’s best known common people vocals. and marked the declaration that Patterson was the 2nd most popular poet in Australia. Patterson travelled to South Africa in 1899. as a particular war letter writer to the Sydney forenoon Herald during the Boer war and during the Boxer rebellion in 1901. For nine months Patterson was in the midst of the combat and his in writing histories of the contending include the resignation of Bloemfontein. the gaining control of Pretoria and the alleviation of Kimberly.

He wrote 12 laies from his war experiences. the best known of which are ‘Johnny Boer’ and ‘With French to Kimberley’ . After returning to Australia in the 1900. Patterson married Alice Emily in 1903. they settled in Woollahra. where their kids grace and Hugh were born in the old ages 1904 and 1906. When World War 1 began Patterson instantly sailed for Europe. as a member of the AIF. in an unsuccessful effort to cover the combat in Flanders as a war letter writer. After returning from Europe he returned to news media before retiring in 1930 when he was 66 old ages old. In 1939 he created CBE and he continued to compose poesy until the clip of his decease on the 5th of February 1941. His plant of poesy include seven volumes of poesy and proses composed in the gathered poetry of A. B Patterson ( 1923 ) and in a aggregation of Old shrub vocals ( 1905 ) . Due to this repute as the Principle common people poet of Australia Patterson is represented in Australian civilization on the 10 dollar measure. Poem analysis

Clancy of the flood
I had written him a missive which I had. for privation of better
Knowledge. sent to where I met him down the Lachlan. old ages ago. He was shearing when I knew him. so I sent the missive to him. Just `on spec’ . addressed as follows. `Clancy. of The Overflow’ . And an reply came directed in a authorship unexpected.

( And I think the same was written with a thumb-nail dipped in pitch ) ‘Twas his shearing mate who wrote it. and direct I will cite it: `Clancy’s gone to Queensland droving. and we don’t cognize where he are. ’ In my wild fickle illusion visions come to me of Clancy

Gone a-droving `down the Cooper’ where the Western herders go ; As the stock are easy threading. Clancy rides behind them singing. For the drover’s life has pleasances that the townspeople ne’er know. And the bush hath friends to run into him. and their charitable voices greet him In the mutter of the zephyrs and the river on its bars.

And he sees the vision splendid of the sunlit plains extended. And at dark the fantastic glorification of the ageless stars.
I am sitting in my begrimed small office. where a stingy
Ray of sunlight battles feebly down between the houses tall. And the foetid air and gritty of the dusty. soiled metropolis

Through the unfastened window drifting. distribute its foulness over all And in topographic point of mooing cowss. I can hear the demonic rattling Of the ropewaies and the ‘buses doing hurry down the street. And the linguistic communication uninviting of the trough kids contending. Comes fitfully and faintly through the ceaseless hobo of pess. And the speed people daunt me. and their pale faces hangout me As they shoulder one another in their haste and nervous hastiness. With their eager eyes and greedy. and their stunted signifiers and weedy. For townspeople have no clip to turn. they have no clip to waste. And I somehow instead fancy that I’d like to alter with Clancy. Like to take a bend at droving where the seasons come and go. While he faced the circular eternal of the cash-book and the diary — But I doubt he’d suit the office. Clancy. of `The Overflow’ . Q1. What was your first feeling of the verse form?

Upon reading this verse form. through the fast passed beat I came to visualize the drastic comparings being made in relation to two wholly contrasting environments. Patterson’s manner of composing besides conveyed the assorted emotions. associated with the yearning for qualities associated with the beauty. tranquility and laid back nature of the Australian shrub environment. This led me to derive an grasp for the alone nature of the Australian shrub and the qualities associated with this life manner in relation to that of metropolis life. Q2. Summarize what the verse form is about

‘Clancy of the overflow’ is an Australian lay about a droving Bushman and the imaginings of his rural life style. This verse form greatly romanticizes state life and shuns life in the metropolis through the usage of morbid imagination and a depressing atmosphere. contrasting to the lively and friendly atmosphere of rural life. This poem stands as a symbol of Australia national individuality and makes positive connexions between the lifestyle traditionally associated with Australia. compared to the more British influenced metropoliss. which are portrayed symbolically as unlivable. This verse form besides expresses the green-eyed monster of the metropolis inhabitant towards the freedom and beauty associated with state life. Q3. What subjects are covered in the verse form?

The subjects covered in this verse form are the contrast between the rural and metropolis life style in Australia every bit good as the jubilation of the beauty of the outback and the bravery and spirit of its dwellers. Q4. What entreaties to you about this verse form? Give illustrations

Numerous facets of this verse form greatly appeal to me including the poet’s ability to capture the general ‘feel’ of state life. its strong usage of imagination and the overall musical and rhythmic nature of the verse form. For case the nature of the shrub is captured through the usage of descriptive words such as “sunlit plains” . “wondrous glory” “vision splendid” and the phrase “murmur of the zephyrs and the river on its bars” . This verse form has a riming stanza of ABCB and creates through its flowing poetries. its long pattering lines and internal rimes. a genuinely musical entreaty. Q5. What are the verse forms grounds for composing this verse form? Give illustrations to back up your positions. Banjo Patterson wrote ‘Clancy of the overflow’ to Romanticize all facets of rural life. and to reflect the subjects mentioned in Q3. The contrast between rural and metropolis life is shown through the phrases. “For the drover’s life has pleasances that the townspeople ne’er know. ” This binary resistance is besides shown through the contrasting words ‘my dingy small office’ in relation to the ‘wondrous glorification of the ageless stars. ’

The different emotions associated with the two environments is exemplified throughout the verse form in the phrase ‘And the bush hath friends to run into him. and their charitable voices greet him’ compared to the unpleasant an chesty emotions shown in ‘And the linguistic communication uninviting of the trough kids contending. ’ The verse form besides displays the want of metropolis inhabitants to decelerate down their lives to the gait of the state and the freedom that it brings. Q6. Identify three poetic techniques used in the verse form and back up them with quotation marks. In this verse form Banjo uses a assortment of poetic devices to acquire his message across like the usage of Binary resistance. descriptive linguistic communication and personification. For case in the verse form portrays the favourability of metropolis life through the binary resistance of the two environments. this is particularly portrayed through the features of these two life styles that are highlighted throughout the verse form.

The phrase ‘And the travel rapidlying people daunt me. and their pale faces hangout me’ is showing the persistent nature of the metropolis inhabitants and their life style due to the fact that they are so caught up in the infinite haste and ceaseless continuity of life. In resistance the state life style is depicted through the stage focal point on the earth’s natural beauty and the fact that Clancy watches ‘the seasons come and go’ indicates a laid and loosen uping environment. The favourability of state life is besides depicted in the sentence ‘And the bush hath friends to run into him. and their charitable voices greet him’ that uses personification to expose the human qualities of the shrub and how it is regarded profoundly in our Black Marias as an internal portion of our lives. This is greatly contrasted to the phrase ‘Ray of sunlight battles feebly down between the houses tall’ that through personification shows the fighting difficult and unpleasant nature of metropolis life.

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