In Ozymandias. Shelley uses great poetic sarcasm to underscore the absurdity of human pride in the face of Time. He shows that human glorification is passing and is reduced to nil by the sheer transition of clip. and juxtaposes the person with the immortal. This apposition serves to stand for the contrast between the aspiration of illustriousness and existent illustriousness. He besides serves to foreground the belief that human illustriousness can last through art and thoughts. and non through hubris or pride. Therefore. Ozymandias’s “frown and wrinkled lip and leer of cold command” survive merely because the sculpturer was able to render them through his art.

In fact. they are a truer representation of his inhuman treatment than he would likely hold desired. as this sculpturer would besides hold been a portion of the public that Ozymandias ruled over. Contrasting enormously with the absence and decease of mighty Ozymandias is that sculptor’s art. which lives on centuries after his ain decease – “its sculptor good those passions read. which yet survive. stamped on these exanimate things. ” In the face of nature. art and clip. Shelley shows that human hubris is reduced to nil.

Besides. the lettering by Ozymandias that urges the looker-ons to “Look on my plants. ye mighty. and desperation! ” in the terminal mocks the king’s ain hubris as all there is left to see is decay and huge stretches of “the lone and degree sands” . The manner the transition of clip has been presented besides makes the irony greater – “antique land” ; talking from the vantage point of history Ozymandias’s pride seems even more pathetic in the face of his entire eventual devastation. which was inevitable. Neither his belongings nor this ego proclaimed “king of kings” himself can suppress the depredations of Time.

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