Linda Lowman is a adult female who seemed to be taken for granted in the Lowman family but that did non intend she was powerless. “The Great Depression reinforced female domesticity” . which was clearly shown in Death of a Salesman by Arthur Miller through Linda ( Koenig 1 ) . In the clip period that this drama took topographic point adult females did non cognize any other life than to remain at place and tend to their households. This being the instance. Linda took attention of the place but was non at all powerless because she dealt with all of Willy’s jobs and held the household together. Miller portrays Linda as a adult female who is submissive to her hubby. which exemplifies that he is an anti women’s rightist. The ‘other woman’ in the drama is besides negatively portrayed as a stereotyped bimbo.

Throughout the drama. Miller depicts Linda as powerless and extremely dependent on Willy but by delving deeper into her actions. one can see is the anchor to the household. “…bore the cross of world for them all. back uping her hubby. maintaining up her composure. enthusiastic smile…” ( Bigsby eight ) . Linda is portrayed by Miller as a really weak single chiefly by how Willy speaks to her. In one peculiar illustration Willy loses his pique at Linda and says. “Shut up! …shut up! …there’s nil incorrect with him! ’ . which leaves Linda in cryings ( Miller 27 ) . The maltreatment that Willy exerts on Linda is non to be taken as a representation of how he really views adult females. But instead. Miller makes statements which show how extremely he thinks of Linda such as:

“Linda is tough. She is a combatant. Willy is prone to bully her. cut off her sentences…this is a adult female who has sustained the household when Willy has allowed phantasies to replace truth. who has lived with the cognition of his self-destructive purpose. who sees through her sons’ bluster and demands their support” ( Bigsby xix ) . The description that Miller merely gave of Linda exemplifies her as a really independent. strong. loving adult female who will make anything to maintain her household together. Although Miller depicts Linda as a strong adult female in the drama ; the film. shows otherwise. During the film it seems that Willy is non merely emotionally. but physically opprobrious to Linda.

This may be the ground that Linda is so loyal to Willy ; out of fright alternatively of love ( Schlondorf ) . By Linda remaining with Willy even throughout physical maltreatment is demoing that Miller feels as though adult females aren’t independent or strong plenty to go forth their hubbies and the work forces receive a sense of authorization through rule over adult females. “The adult female makes him experience he is an of import salesman and powerful man” ( Ribkoff 123 ) . This negative intension towards adult females shows that Miller is an anti women’s rightist.

Aside from Linda Lowman. another adult female in the drama is depicted in a negative. stereotyped manner. Towards the terminal of the drama we discover that Willy has been rip offing on Linda with the ‘other woman’ . Stereotypically. the ‘other woman’ is considered a whore and normally dense or ditzy. The adult female express joying gaily invariably represents the thought that she is considered to be dense. for illustration: [ The WOMAN enters. laughing… ] Willy: “Will you stop express joying? Will you? ” ( Miller 91 ) . The film shows this adult female as a immature. blonde. attractive adult female who seems really ditzy and unworried. This portraiture of the adult female is really stereotyped of ‘bimbos’ and adult females who would kip with a married adult male. Miller is making a image of this adult female through the drama and film. which is rather negative towards adult females. The manner he views adult females is clear ; stupid. dependant. and promiscuous. although at times he seems to picture the adult females in the drama as strong persons.

It is surprising that Willy engages in this verbal maltreatment towards Linda in the company of others. On many occasions Biff and Happy have been present to hear Willy set down and shout at their female parent. After repeatedly being told to halt by Biff it seems Willy will finally give in and the onslaughts will lessen. Out of the two brothers Biff is the lone 1 who says anything to Willy and stands up for his female parent. When Wily finds out that Biff is traveling to seek and get down a concern he is overjoyed until Linda bells in every bit good and attempts to set in her two sense. “Don’t cry at her. Pop. will ya? …I don’t like you shouting at her all the clip. and I’m tellin’ you. that’s all. Stop shouting at her! ” is an illustration of how Biff stands up for Linda and is bothered by how she is treated. Biff can distinguish between what his male parent thinks is the right thing to make. and what is really the right thing to make. He knows he isn’t perfect. but he admits to his errors and learns signifier so. unlike his male parent. Willy. “But unlike his male parent. he faces. and learns from his shame” ( Ribkoff 124 ) .

When Miller adds parts where work forces stand up for adult females it in ill-defined how he feels about feminism. From this illustration of Biff standing up for Linda it seems he is pro women’s rightist but on the other manus. the manner he describes the adult females in the drama makes one think otherwise. Happy on the other manus does non state anything throughout this statement or others like it. Even though Willy cries at Linda rather frequently she does non support herself. Possibly the ground she is non contending back when being verbally abused is non because she is a weakling but because she is so dog-tired from caring for everything else. This is an illustration of how Linda can be seen as powerless. In the debut Rhoda Koenig describes Linda Lowman as “a dumb and utile doormat” and does non stand up for herself ( Bigsby xix ) .

Linda has a batch on her home base between her hubby losing touch with world. her son’s non holding solid occupations and the deficiency of money in their family. She deals with all these tough state of affairss really good and does non even set up a battle when she is yelled at by her hubby. Linda manages to remain collected for the most portion even though she holds really heavy loads. She decides to let go of one of her loads on Punch when she tells him about his male parent:

“He’s been seeking to kill himself…the insurance inspector came…all those [ auto ] accidents in the last twelvemonth weren’t accidents…I went down to the basement. And behind the fuse box- it merely happened to fall out- was a length of gum elastic pipe- merely short. And certain plenty. on the underside of the H2O warmer there’s a new small mammilla on the gas pipe” ( Miller 43 ) .

Knowing your hubby has programs or had programs to kill himself can evidently take a big toll on person but Linda keeps it together. She has so much love for Willy that she puts up with everything that is traveling on. She tells him he can be the best and tells him she believes in him. whether she believes it or non. Aside from her hubby. Linda has to cover with Biff non holding a occupation and Willy and Biff reasoning all the clip. Punch does non desire to go a salesman because he would instead be out-of-doorss and this causes a batch of struggle between him and his male parent. Although he was non acquiring as many fringe benefits as he would being a salesman he was still making what he loved. “To suffer 50 hebdomads of the twelvemonth for the interest of a two-week holiday. when all you truly want is to be out-of-doorss. with your shirt off” ( Miller 11 ) . Willy can non understand why Biff would non desire to be a salesman and resents the fact that he has non been really successful.

Laundry. repairing stockings. worrying about measures. and food markets are a few of the things Linda Lowman does on a day-to-day footing. These undertakings are assumed to be the function of a homemaker. which is another illustration of how Miller sees adult females. It is clear that in the Lowman family. Linda is responsible for all the family duties. which at that clip became rather common: “As men’s portion in domestic activity began to vanish. housework genuinely became ‘women’s work’” ( Leonard 307 ) . Willy Lowman does travel out and work throughout the twenty-four hours. but hardly. while Linda is taking attention of many duties. It is clear that Miller feels the adult female should be remaining at place and taking attention of the full house every bit good as be givening to her husband’s demands.

Linda is ever seeking to delight Willy by stating things like ; “I’ll make you a sandwich…the cheese is on the in-between shelf! ” and doing certain he is wholly satisfied. During the drama. Linda ever seems to be mending stockings. which is besides stereotyped behaviour of a homemaker. Willy gets really angry when he sees her mending stockings because he feels so guilty about the ‘other woman’ . When him and the adult female have their brushs he ever seems to give her a brace of stockings. “…and thanks for the stockings” . which has occurred twice in the drama ( Miller 26 ) . Willy goes off to work and Linda takes attention of the house. concerns about the money and makes certain she is wholly devoted to Willy when he gets place. Miller seems to hold a traditional position when covering with the functions of adult females and work forces in the household.

It seems like Miller is a closet pro women’s rightist from clip to clip throughout the drama. Although most of his portraitures of adult females are negative and really stereotyped. there are certain cases where he leans in the opposite way. For illustration. when Biff stood up for Linda as Willy was shouting at her ; that showed that Miller felt Linda should hold been stood up for. The negative intensions towards adult females in this book do non compare to the pro feminism illustrations throughout the book. It is tough to measure how Miller truly feels about adult females and their topographic point in the family. workplace and their general personalities.

Plants Cited

Bigsby. Christopher. “Introduction” . New York: Penguin Group. 1998

Koenig. Rhoda. “Seduced by Salesman’s Patter” . The Sunday Times. London. October 26. 1996. 10. 4.

Leonard. Eileen B. “Household Labor and Technology in a Consumer Culture” . Composing Gender. Boston: Bedford. 2009.

Miller. Arthur. Death of a Salesman. New York: Penguin Group. 1976

Schlondorf. Volker. dir. Dofas. Perf. Dustin Hoffman. Kate Reid. John Malkovich. VHS. Lorimar Home Video. 1986.

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