From topics picturing race. faith and secret plan. the world’s bulk does non see stereotypes and conventionality as positive entities ; yet certain literary plants take a negative facet and turn it into a positive through word pictures. peculiarly with merited literary plants. Such serves the instance with Fyodor Dostoevsky’s Crime and Punishment. which depicts the psychological struggles Rodion Romanovich Raskolnikov faces after slaying an old pawnbroker and her sister. Dmitri Prokofych Razumihin. Raskolnikov’s friend. serves as the conventional character with his friendly. sociable and low personality. Through his stereotyped word picture. the writer succeeds with his intent to make an effectual foil for the supporter and presenting the permanent lessons by heightening attending to the effects privacy from human the public brings. foregrounding their few but cardinal similarities to reply the root Raskolnikov’s job contains. and suggesting at the he should go.

As a foil. Razumihin serves as a analogue to the character Raskolnikov embodies and. in consequence. accents his features. Razumihin’s accessible and sympathetic personality allows him to interact positively with most work forces and adult females. including respected work forces such as Zametov and Porfiry. He throws parties located at his place and instantly gets along with both Dounia and Pulcheria. While such a characteristic gives a positive visible radiation to the character. it besides calls to the reader’s attending to affairs refering to Raskolnikov’s ain societal life. Due to the offense committed. he must stay socially isolated. Further interaction with other human existences could stop to him submerging in guilt. Razumihin emphasizes. other than himself. Dounia. Pulcheria and. to an extent. Sonia. Raskolnikov remains entirely. While Razumihin dainties his friends with kindness. his friend remains about barbarous to his loved 1s. unable to demo his fondness. “‘I can’t have it! I can’t have it! ’ he repeated testily. ‘don’t worry me! Enough. travel away… . I can’t stand it! ’” ( Part III. Chapter I. pg. 183 ) . Despite eventually reuniting with his household after a long separation. he shuns them instantly.

Raskolnikov even demeans Sonia’s belief refering to God. Through a foil character like Razumihin. Dostoevsky underlines the effects his offense brings. Not merely does he insulate himself from the general populace but besides pushes the few he loves off. The characters Raskolnikov and Razumihin seem like complete antonyms. yet some of import factors. peculiarly their backgrounds. keep comparable similarities. In consequence. Razumihin serves as a more effectual foil to his friend and brings out the author’s intent. The desperate poorness Raskolnikov faces leads him to slay the pawnbroker and her guiltless sister ; nevertheless. Razumihin. a adult male confronting poorness every bit good. does non travel to such lengths. Both have intelligence and positions as school dropouts. Even their parenthood contains similarities. Raskolnikov lost his male parent with merely his female parent and sister as household ; Razumihin admits he lost his parent with merely his uncle as his lone life relation. How could work forces with such comparable backgrounds result to such contrasting personalities? The reply remains simple: pride. Dostoevsky characterizes Razumihin as a really low adult male. “He recognized clearly that the dream… . was hopelessly unattainable—so unachievable that he felt positively ashamed of it” ( Part III. Chapter II. pg. 196 ) .

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Despite his favourable qualities as a future spouse. Razumihin stays unpretentious because he holds the belief he believes in his unworthiness to get married Dounia. His low personality and missing self-importance could potentially salvage him from poorness due to his willingness to work hard. However. Raskolnikov embodies pride—enough to the point he believes in his high quality to kill inferior existences. Merely a great narcist could O.K. the extremist political orientation certain work forces remain above the jurisprudence. Raskolnikov refuses to accept the occupations offered to him. which could finally salvage him from the poorness he suffers. because his pride forces him to believe he deserves better. With the aid provided by Razumihin’s stereotyped behaviour. Dostoevsky highlights the negativeness pride contains and the way it may take to.

Though Raskolnikov’s alone word picture receives much literary congratulations. the populace. without knowledge the book presents refering to his interior convulsion like the reader. position the adult male in a negative visible radiation. No affair how stereotyped the writer portrays him. Razumihin embodies the qualities associated with honest adult male. Due to their resembling background and state of affairs. achieving each other’s features in the yesteryear remains possible. Raskolnikov could even alter himself to go a more well-thought-of figure in to the public correspondent to his close friend. “She knew and had no uncertainty that he loved her beyond everything and that at last the minute had come…” ( Epilogue. Chapter II. pg. 504 ) . In fact. based on his actions in the epilogue. Raskolnikov begins to alter into a better adult male. He comes to the realisation refering to his state of affairs and Sonia and looks frontward to populating a better life with her after his release in seven old ages. “But that is the beginning of a new story—the narrative of the gradual reclamation of a adult male. the narrative of the gradual reclamation of a adult male. the narrative of his gradual regeneration of his passing from one universe into another. his induction into a new unknown life” ( Epilogue Chapter II. pg 505 ) .

The author’s saving usage with Razumihin portrayed the many he could go. yet he besides served the intent refering to demoing the readers the proverbial “light at the terminal of the tunnel” . Every adult male. even 1s with well condemnable yesteryears. can achieve a better hereafter after functioning out his or her penalty. Choosing such a way sets one up for many adversities. but remains possible.

Through Razumihin’s conventional word picture Dostoevsky. an effectual foil appears for the character Raskolnikov. Due to such a contrasting character. readers accent the effects his isolation brings. nail his jobs root. and convey attending to his metabolism. The writer efficaciously educates the readers with the lessons he learns during his ain life.

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