Robert Frost Essay, Research Paper
The verse form The Road Not Taken by Robert Frost addresses the thought of determination devising and taking what way life will take you. The verse form is about the talker geting at a fork in the route, where both waies are carpeted with foliages. The character, who is believed to be Frost himself, chooses to take the route less traveled by. He tells himself that he will take the other route another twenty-four hours, although he knows it is improbable that he will hold the chance to make so. The verse form concludes with the talker satisfied by his pick in taking the route less traveled by.
Form & A ; Devicess
The verse form consists of four stanzas, each incorporating five lines. The rhyme stiff strategy is ABAAB. Then, in the last line the rime is broken with the word difference doing the stoping stand out from the remainder of the verse form. Each line contains four stressed syllables. Frost uses a metaphor comparing the route to life, and the fork to doing determinations.
The first stanza conveys a temper of alteration and introduces the thought of a life changing determination, which is the footing for the verse form. First Frost sets the scene with his gap words, Two roads diverged ( 1 ) . The talker is standing at a junction in the route chew overing two picks. The roads in the verse form are merged where the talker is standing but lead in two different waies meaning two different waies in life. Frost begins with the metaphorical significance every bit early as the first line with his mention to yellow wood ( 1 ) . This suggests that the scene is in the wood during Fall, which is the season of alteration. The 2nd line, Sorry I could non hold traveled both ( 2 ) expresses the character s wonder to research several possibilities in life. It besides forms a sense of sorrow at non cognizing what could lie in front on the un-chosen way and the talker s restriction to one life-time. When Frost says, And be one traveller ( 3 ) it is obvious that talker can non go down both waies. He realizes that he needs to do a pick and pick one way over the other. The talker s cunctation and the trouble in foretelling the result of the determination he needs to do is shown when he, stood And looked down one every bit far as I could ( 3-4 ) . Both roads lead to the unknown, To where it bent in the underbrush ( 5 ) , as do many picks in life. This is a metaphor to our inability to foretell the hereafter, and the fact that regardless what route is chosen it will non be free of obstructions.
In the 2nd stanza the character continues to analyze both waies and P
onder which route to take. In line six Frost uses the phrase, Just as just ( 6 ) , to connote that his determination needs careful consideration because once it is made, there is no turning back. Once once more, Frost points to uncertainness in the hereafter by utilizing the word possibly in line seven. The talker is judging the route from where he is standing. Frost so goes on to depict the way as grassy and wanted wear ( 8 ) . From this line, the reader gets the feeling that the character took the route less traveled by to interrupt away from the influence and control of society. But by doing the metaphor a route Frost makes it clear that few have chosen to take the harder path through life because it is less trodden upon. Although the roads have small difference in visual aspect since they are worn about the same ( 10 ) they both lead to indeterminable hereafters. By the terminal of the 2nd stanza, the talker still has non made a pick about which way to take.
The 3rd stanza makes it clear that every clip a pick presents itself there is a new journey or way to be traveled. This is shown in lines eleven and twelve when Frost says, And both that forenoon every bit lay In leaves no measure had trodden black ( 11-12 ) . Then, with the usage of, Oh, I kept the first for another twenty-four hours! ( 13 ) , the talker repeats his vacillation and sorrow for non being able to go down both waies from line two. The talker acknowledges that his determination in this passing minute will hold to be lasting by stating, manner leads on to manner, I doubted if I of all time should come back ( 14-15 ) . Once a determination is made, the talker won t acquire the opportunity to retrace his stairss and travel down the route non taken. He is fundamentally stating that what route or pick is picked now will impact his life merely every bit much as what can non be undone.
At the terminal of the verse form, the talker eventually makes his determination and embraces it. In the last stanza, Frost confuses the reader with a suspiration that is unfastened to reading. One can inquire if the suspiration is out of alleviation, sorrow, defeat, or contentment. He creates a sense of nostalgia in line 17 when he says that he will be stating the narrative for old ages to come. This signifies that the talker will no longer repent the pick that he made. Frost realizes that the chosen route can do a difference in who you are and the manner you live. He makes this clear in his celebrated line, Two roads diverged in a wood, and I I took the 1 less traveled by, And that has made all the difference ( 18-20 ) . In the verse form Frost made his determination to take the route less traveled by based on his personal beliefs and consideration, without the influence of society.