Robert Frost Essay, Research Paper

Robert Frost

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Among the many poets that have contributed to the defining of American literature, Robert Frost stands as one of the most prevailing. With his descriptive lines about nature, in all its beauty and luster, he creates scenes within a reader s head that are difficult to bury. His booming life, and all that was a portion of it, is the chief familial makeup that he used in his Hagiographas. Frost s love of nature seems to rule all other subjects found in his poesy, whether discoursing its beauty or destructiveness.

Robert Frost was born in San Francisco in 1874. After his male parent s decease in 1885, he moved to New England at the age of 11 and became interested in reading and composing poesy during his high school old ages in Lawrence, Massachusetts. He became enrolled at Dartmouth College in 1892, and subsequently at Harvard, but ne’er earned a formal grade. Frost drifted through a twine of businesss after go forthing school, working as a instructor, shoemaker, and editor of the Lawrence Sentinel. His first professional verse form, The Butterfly, was published on November 8, 1984 in the New York literary diary, The Independent.

A twelvemonth subsequently, in 1895, Frost married Elinor Miriam White, who became a major inspiration in his poesy until her decease in 1938. After his two old ages at Harvard, Frost maintained a life by runing a farm in Derry, New Hampshire, composing poesy, and taught at Derry s Pinkerton Academy. The twosome moved to England in 1912, after their New Hampshire farm failed, and it was abroad that Frost foremost met and was influenced by such modern-day British poets as Edward Thomas, Rupert Brooke, and Robert Graves. While in England, Frost besides established a friendly relationship with the poet Ezra Pound, who helped to advance and print his work. By the clip Frost returned to the United States in 1915, he had published two full-length aggregations, A Boy s Will and North of Boston, and his repute was established. By the nineteen-twenties, he was the most famed poet in America, and with each new book including New Hampshire ( 1923 ) , A Further Range ( 1936 ) , Steeple Bush ( 1947 ) , and In The Clearing ( 1962 ) his celebrity and awards, including four Pulitzer Prizes, increased.

Though his work is chiefly associated with the life and landscape of New England, and though he was a poet of traditional poetry signifiers and prosodies and remained firm aloof from the poetic motions and manners of his clip, Frost is anything but a simply regional or minor poet. The writer of seeking and frequently dark speculations on cosmopolitan subjects, he is a modern poet in his attachment to linguistic communication as it is really spoken, in the psychological complexness of his portrayals, and in the grade to which his work is infused with beds of ambiguity and sarcasm. Robert Frost lived and taught for many old ages in Massachusetts and Vermont, and died on January 29, 1963, in Boston.

All of the events in Frost s life aid to determine the symbolic significances and concentration of his plants. The thought of Frost having a farm, his love of nature, and the determinations he makes in his life are inaugurated when reading his poesy. Some of his determinations are reflected in Stoping by Woods on a Snowy Evening, and The Road Not Taken. To depict certain feelings, Frost uses legion sums of images from nature. He believed that nature could be used to bring out and exemplify the underlying Torahs of the existence, and hence used his love of nature to analyse and depict the grounds for his ain feelings.

It was Frosts love of nature that tempted him to put so much money into his farming area. Before he moved to Derry, he was an enthusiastic phytologist, and would frequently take ambles through the wood and belongingss of farming neighbours. His neighbours were friendly and

ne’er objected to Frost s trespassing. The walks were a manner for Frost to unclutter his head and to get away the fast gait of mundane life. This thought of go throughing through person else s belongings as a manner to derive peace is represented in Stoping by Woods on a Snowy Evening:

Whose forests these are I think I know

His house is in the small town though

He will non see me halting here

To watch his forests make full up with snow. ( Lines 1-4 )

Frost is cognizant that he is go throughing through a neighbour s belongings and in fact knows whose belongings he is intruding. Although it is intruding, it is harmless, for he is merely detecting the snow falling and the encompassing nature.

Then, Frost references:

My small Equus caballus must believe it thwart

To halt without a farmhouse near ( Lines 5-6 )

Who is this Equus caballus? He continues:

He gives his harness bells a shingle

To see if there is some error ( Lines 9-10 )

The Equus caballus represents his sub-conscience stating him this is non the clip to rest. Frost needs to go on through the journey of life. By composing in first individual, Frost allows the reader to experience nearer to the existent experience. Therefore, Frost is the character in this verse form. Although he wants to maintain strolling in the forests, he can non rest yet. He has other duties and duties to take attention of, such as his household and his authorship.

The forests are lovely, dark and deep

But I have promises to maintain

And stat mis to travel before I sleep,

And stat mis to travel before I sleep.

Frost has many picks in his life. He would love to remain at place and write poesy alternatively of holding to work, but that is non possible. He repeats the last line in order to convey accent on the fact that he still has a long manner to travel before he can rest, both with his household, and with his life, intending decease. So, while he wishes he could pass his clip making what he loves most, composing poesy, he still needs to take attention of his household by working and supplying money for them. To show how he is experiencing about which is more of import to him, he writes The Road Not Taken. The Road Not Taken is a verse form in which traveling frontward in life agencies taking between different roads that do non needfully travel in opposite waies.

Two roads diverged in a xanthous wood,

And sorry I could non go both

And be one traveller, long I stood

And looked down one as far I could

To where it bent in the underbrush ;

Already, Frost knows he must pick a route to go, one way to take in his ain life. While he tries to expect what will go on if taking one route, he wishes he could go both. But, as we all know, he can non go both because the route in this verse form is the journey of life, and in life you can non turn back or alter the determinations you ve made. Readers can merely visualize themselves coming upon two waies to take from in the forests. The Road Not Taken is normally read at high school graduations because it reflects the determinations people need to do in life.

He ends the verse form by stating:

Two roads diverged in a wood, and I –

I took the 1 less traveled by,

And that has made all the difference.

While Frost does non province whether or non the difference was for better or for worse, we get the feeling that he is happy with the route he chose in life. Although it is said that Frost was able to travel by both roads, by taking attention of his household and go oning with his poesy, the last lines seem to connote that no affair what way in life he had chosen, he was happy with its result and would ne’er desire to alter the determination he had made.

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