Robert Frost Essay, Research Paper

There are likely three things that account for Robert Frost? s poesy. In his

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verse forms, he uses familiar topics, like nature, people making mundane things and

simple linguistic communication to show his idea. His verse form may be easy to read, but non

needfully easy to understand. Almost all of Frost? s verse forms are concealing a

secret message. He easy can state two things at the same clip. For illustration, in

? The Road Not Taken? , Frost negotiations about being a traveller, but the hidden

message is about determinations in life. In lines 19 and 20, he expresses that he did

the right thing, by taking to travel down the way that made the difference. Besides,

in? Birches? , lines 48-59, it shows that the verse form is about being unworried.

Frost wants he could be like the male child singing from the birch trees. The verse form

sets the image of a male child singing from the tree subdivisions, but he truly is

speaking about being unworried. He says that Earth is the right topographic point for love. He

says that he doesn? T know where he would wish to travel better, but he would wish

to travel singing from the birches. Another illustration of symbolic description comes

from the verse form, ? Desert Places? ; he talks about how he will non be scared of

the desert topographic points, but of the solitariness. He is scared of his ain solitariness,

his ain desert topographic points. Most of Frost? s verse forms are about nature. All three of

the mentioned verse forms are about nature. In? The Road Not Taken? , he talks of

the forests and waies to follow ( line1 ) . Besides, in? Birches? , he talks of the

birch tree, and winter forenoons ( line 7 ) . He besides talks about rain and snow

( line8-11 ) . In? Desert Places? , he talks of forests and snow covering the

land ( line 1-5 ) . He shows the relationship between nature and worlds. As in

? Tree at My Window? , the beginning of the verse form shows the intersection

between worlds and nature ( lines 3-12 ) . But the terminal suggests there are

differences that separate them ( lines 13-16 ) . In? Birches? , he talks of the

trees and? cheery winter forenoons? ( line 7 ) . He

besides negotiations of the Sun? s

heat, and how it melts the snow ( line 10-12 ) . The verse form, ? Desert Places? ,

negotiations of snow falling into a field, and covering the weeds ( line 1-4 ) . It besides

negotiations about animate beings? dens being smothered in the snow ( line 5-6 ) . Which is

dry sing that comeuppances are hot, and it does non snow at that place. Frost? s

simple, yet originative linguistic communication is used in two ways. He can stir up your worst

frights, or provoke a phantasy. The reader can set to footings our ain fearful

phantasy. In? Once by the Pacific? , he uses a strategy of get downing with a

storm, but it turns out to be more than merely a storm ( line 1-5 ) . It turns out to

be cryptic, because something doesn? Ts like the manner the shore is backed by

the drop, or the manner the continent backs the drop ( line 7-9 ) . It even gets

more cryptic in the lines that follow ; it talks of dark purpose ( line 10 ) . It

said person should fix for fury, because more than ocean H2O will be

broken ( line12 ) . Frost uses simple word to depict some complicated things. He

takes the frights within himself and distributes them into the environment all

around him. The words he uses are easier to understand than other poets? words

are. Reading a verse form by Frost is non every bit confounding as some poets, but seeking to

understand the concealed significances are the most hard. Trying to calculate out any

verse form is hard, but Frost? s are alone.

Frost, Robert. ? Birches. ? Literature: Reading Fiction, Poetry, Drama, and

The Essay. Robert DiYanni. Boston: McGraw,1998. 669-70. & # 8211 ; ? Desert Places. ?

Literature: Reading Fiction, Poetry, Drama, and the Essay. Robert DiYanni.

Boston: McGraw, 1998. 679. & # 8211 ; ? Once by the Pacific. ? Literature: Reading

Fiction, Poetry, Drama and the Essay. Robert DiYanni. Boston: McGraw, 1998. 676.

& # 8211 ; ? The Road Not Taken. ? Literature: Reading Fiction, Poetry, Drama, and the

Essay. Robert DiYanni. Boston: McGraw, 1998. 513. & # 8211 ; ? Tree at my Window. ?

Literature: Reading Fiction, Poetry, Drama, and the Essay. Robert DiYanni.

Boston: McGraw, 1998. 677.

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