Romeo And Juliet- A Thin Line Between Love And Hate- Shades Of Gray Essay, Research Paper

& # 8220 ; Love & # 8221 ; is a juxtaposed emotion that makes life uniquely human. Its ambivalency makes us enraptured one minute and depressed the following. In Romeo and Juliet & # 8217 ; s happening, it was both enraptured and dejecting. They had an merger between them that would ne’er be destroyed, even through decease. Their finding to remain together through the backbreaking times was amazing, even when they knew that their relationship would ne’er be normal because of a household feud. They ne’er gave up. It was a instance of the proverbial love at first sight, and as a consequence the subject of & # 8220 ; love & # 8221 ; in Shakespeare & # 8217 ; s most popular calamity is far more prevailing than the premiss of & # 8220 ; hate. & # 8221 ;

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Associating to scenes in Romeo and Juliet is non hard, as in most of them we as readers see ourselves in the similar state of affairss in our ain lives. From the hurting Romeo suffered from Rosalyn & # 8217 ; s rejection, to the captivation of the first scene where the & # 8220 ; star-crossed twosome & # 8221 ; meet. Each installment of the play invokes a multiplicity of empathy through our ain similar experiences. These are largely considered episodes of love, but there are intermittent portraitures of the green-eyed monster and feelings of maliciousness to which a individual subdues because of love. The most memorable of these portraitures is the first scene of Act Three. Love inspires ramp in this fight scene in which Mercutio loses his life. Such a scene is an of import rendition of how there is a thin line between love and hatred ; the work forces have a love for each other to animate defence, and a hatred fueled by the slaying of their mate. This demonstrates how much of an impact love has in Shakespeare & # 8217 ; s narrative, non merely for the lovers, but besides for a friend.

A friend who has been with a individual through midst and thin is non a common trade good. However, when do such friends become disused? Maturing inspires a passage in each individual & # 8217 ; s life. Such a passage from a kid & # 8217 ; s immature, same sex worship to the infatuation of the opposite gender is a chief observation in this drama. The calamity non merely about love, but about turning up doing the witting pick between a

best friend since kindergarten and a new miss who moved into the house across the street. Mercutio loved so much Romeo that he would put down his life for Romeo. Consequently, Romeo would vow retribution on Tybalt, who brought upon Mercutio’s decease. Similarly, and ironically, he would curse himself with his ego slaying, as he believed the decease of his belov vitamin D was no one’s mistake but his ain.

What would possess two persons to be so frantically enamored with the other that life entirely seems intolerable? Romeo and Juliet had such strong chemical science they would decease for each other. Ironically, it is chemical science, or potions, that would turn out fatal for both. Shakespeare & # 8217 ; s usage of calamity to destruct the guiltless leaves the reader perplexed as to why this must go on to such immature kids, full of life and energy. Make these mere adolescents understand what it genuinely means to unconditionally love? No, it is instead their sense of the Eros, or desire to delight one & # 8217 ; s self, that drives them to such selfish death. This would turn out the immatureness of their love, as true agape, or unconditioned, love would ne’er take to such a effect.

Even though there is a thin line between love and hatred, love ever dominates as a force in our actions. Merely as there truly is no dark, merely absence of visible radiation, likewise there is no hatred, but instead merely absence of love. It is these & # 8220 ; sunglassess of grey & # 8221 ; that make life interesting and full of spice. Without such confusion everyday, there would be neither Shakespearean Tragedy nor Comedy. We as readers are inspired to larn of new crisis and play, yet we besides know the templet it finally must suit ; as Tennyson so articulately understood it, & # 8220 ; & # 8216 ; Tis better to hold loved and lost, than to hold ne’er loved at all. & # 8221 ;

Plants Cited:

Leland, John. Class notes and treatment. Shakespearian Tragedies. Virginia Military Institute, 4 February 2000 through 17 February 2000.

Shakespeare, William. Romeo and Juliet. The Riverside Shakespeare. Boston, MA: Houghton Mifflin Company, 1997.

Tennyson, Lord Alfred. In Memoriam.27. The Norton Anthology of English Literature. New York, NY: W.W. Norton & A ; Company, 1996.

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