The Prodigal Son: A Comparison Essay, Research Paper

Prodigal Son

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From the Gospel of Luke and by Garrison Keillor, a comparing.

Many fables originated from Christianity. One of the most well-known 1s is the Prodigal Son. In fact, due to its popularity, it is frequently quoted from, and different versions of it have been written and even acted out. The original version of the Prodigal Son is from the Gospel of Luke 15:11-32. Garrison Keillor, a famed fiction author, and host of a hebdomadal live wireless show, attempted and succeeded at such an version of this parable and came up with a humourous version of his ain in which he retold the narrative through a wireless play.

A parable is a short, simple narrative, which conveys a moral or a lesson. These lessons are taught by usage of comparings. During early Christianity, Jesus used fables to pass on the concealed truths of God & # 8217 ; s land. Through these short narratives, the people were able to understand the lessons better, because they were able to associate to them from Jesus & # 8217 ; usage of illustrations and illustrations taken from their day-to-day life. These fables helped the people apply these life lessons in their ends to be Christians and because of this importance the fables were ever of a serious temper or tone. For this ground, Keillor & # 8217 ; s version of the Prodigal Son seems unnatural because of the manner he portrayed it, yet its lesson still comes across.

In the Gospel of Luke the Prodigal Son accounts the narrative of a male parent and his two boies. From this narrative the father-son relationship that God has with humanity is portrayed. The wickedness of human nature through the younger boy & # 8217 ; s selfishness and squandering, and through the older boy & # 8217 ; s incapableness of forgiveness is besides shown. God & # 8217 ; s unconditioned and merciful love is besides represented as the male parent received his younger boy with unfastened weaponries despite of what he had suffered. In short the parable reveals that we worlds have a free will and if we choose to love in God & # 8217 ; s Grace, irrespective of our past wickednesss, God will welcome any of us with unfastened weaponries into His land.

In comparing, Keillor & # 8217 ; s humourous version carries the same lesson but in an wholly different temper and manner. Alternatively, he uses comedy to dramatise the same subjects as in the original parable by his usage of irony and hyperbole. As Luke & # 8217 ; s version is of a conservative nature, Keillor & # 8217 ; s is of a perverse 1. In contrast, Luke & # 8217 ; s version merely has three characters, while Keillor & # 8217 ; s utilizations ten. This add-on of characters is an illustration of the hyperbole that Keillor workss in his diversion.

Keillor besides incorporates two other fables: The Lost Sheep and The Good Samaritan. This adds to the wit every bit good. In his excessive usage of wit, nevertheless, it sometimes feels that it somehow departs from the moral spirit of the original fable. This is evident in the scenes that take topographic point between the bimbo, the manner he pokes merriment at the Samaritan, and even the manner he portrays the male parent to be slightly nescient. These scenes were so pathetic that although they were really amusing, it seemed a spot disrespectful that it strayed off from the moral feeling of a parable.

In add-on, Keillor satirizes certain human follies in his version. Such features are ignorance, enviousness, green-eyed monster, resentment, and selfishness. The male parent seemed about incognizant that he was being taken advantage of, the older brother was vastly covetous and covetous, and highly acrimonious, and the younger brother was particularly selfish and foolish. He even satirizes the Samaritan & # 8217 ; s unusual kindness.

In Luke & # 8217 ; s version of the Prodigal Son, each of the three characters was represented cautiously opposed to the manner Keillor depicted his three chief characters. The lone character in the scriptural version that I noted had a defect is the older brother. He was unforgiving and rather covetous of the love that his male parent had for his younger brother. It makes sense that he is the lone character that would hold a defect because he symbolizes lip service in the scriptural version of the parable. In Keillor & # 8217 ; s version, all three characters had defects. The male parent seemed non to cognize how to demo his love for his older boy that it seemed like he merely ignored him. He besides seemed to prefer his younger boy more. The older brother was really acrimonious because of this and was really covetous of his younger brother. The younger brother on the other manus took advantage of his male parent and was really irresponsible and immature, possibly because he knew that his male parent would take him back. This can be seen in the scene in which he rehearses what he would state to his male parent when he returned home ; it seemed insincere.

In decision, the fable of the Prodigal Son from the Gospel of Luke and from Garrison Keillor & # 8217 ; s version conveys the same lesson. It is the manner, the temper and the evident influence of the clip that it was written in that made the difference. Merely as the scriptural version was likely easier to understand for the people of the yesteryear, the modern, humourous version is merely as easy for us to grok. The of import thing is that it is understood for that is what a parable is created to make, to convey a lesson.

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