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The Taming Of The Shrew

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The Taming Of The Shrew by William Shakespeare is likely one of Shakespeare s earliest comedies. Its secret plan comes from the popular war of the sexes subject in which males and females fight with one another for laterality in a matrimony. The drama begins with a rummy adult male named Cristopher Sly being fooled into believing he is a nobleman and watching a drama performed for him. This drama turns out to be the chief portion of The Taming Of The Shrew.

In it, a rich adult male, Baptista Minola, attempts to acquire his two girls married. One is the nagging Katherine, while the other is the beautiful Bianca. In order to do certain Katherine is married, Baptista declares that he will non let Bianca to be married until after Katherine is married. This forces all of Bianca s suers to seek and happen a hubby for Katherine so that they can so in bend attempt to get married Bianca.

Some would state that the narrative has a really sexist attitude, but the fact of the affair is that it is a comedy about an self-asserting adult female covering with how she is expected to move in the society of the late 16th century. Even further, Katherine is larning how she must follow the unwritten regulations of her society in order to be accepted into it. Although the drama ends with her credence to make what is expected by society this credence is merely in action. Even though, she plays the portion of the obedient married woman, she still maintains her assertiveness, but now she merely keeps it indoors.

Shakespeare introduces the thought of false worlds in the beginning of the drama when the histrions fool Christopher Sly into believing he is person he isn T and masking themselves as other characters and executing a drama for him. This play-in-play construction even furthers this thought Shakespeare has created of false worlds. In the drama we see a assortment of illustrations as Petrucio acts ( camouflages ) himself as person he s non in order to chasten Katherine. The same goes for Katherine in the terminal when she acts ( camouflages ) herself as a low and obedient married woman, when she is still an self-asserting adult female now she merely keeps it indoors.

In The Taming Of The Shrew matrimony is non a affair of love but instead a affair of which suer can supply best for a adult females. All the

suers bring their doweries, a value of all they have, and the 1 with the most wins and gets to get married the adult female. This competition is like a game to the characters in the narrative. An illustration of this is when Hortensio is associating having permission to get married Bianca to winning a race. In this game adult females are treated like object that can be bought instead than people. This does do since the society they live in is really male dominant.

The taming of Katherine is non truly a loss of her shrewishness, but instead a lesson on the regulations she must follow to suit in in a male dominant society. The job with Katherine is that she has learned to be self-asserting and attempts to command work forces. A adult female commanding a adult male is against the so called regulations of this society. The drama ends with Katherine losing her shrewishness and turn outing she is the most obedient of the three new married womans. Katherine proves she is the most obedient when she is the lone married woman that comes when the hubbies all ask their married woman to come. She besides proves this when she says to the other new married womans:

I am ashamed that adult females are so simple to offer war where they should kneel for peace, or seek regulation, domination, and sway, when they are bound to function, love, and obey. ( Act V, scene 2, 161-164 )

It is difficult to believe that person like Katherine could be changed so rapidly. This goes back to the thought of false worlds. Katherine is merely truly moving the portion of the obedient married woman in order to be accepted. It is really possible that Katherine doesn T head this portion and likely even enjoys it. There is grounds that she enjoys playing this portion when Petruchio tells her to turn to the old adult male as a immature female. Katherine goes every bit far to state to Vincentio the old adult male:

Young budding virgin, just and fresh and sweet. ( Act IV, scene 5, line 37 )

The Taming Of The Shrew has an obvious sexist attitude that some may non wish, but if you take into history that it is taking topographic point in the late 16th century and non in modern times this is rather apprehensible. Besides, this sexist attitude the narrative possesses is where most of its comedy comes from. And on a concluding note, this drama is a comedy and a batch of the words and actions are non serious and are non meant to be taken earnestly.

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